Susan Yount was raised on a farm in southern Indiana where
she learned to drive a tractor and hug her beloved goat, Cinnamon. She is editor of Arsenic
Lobster
Poetry Journal, madam of the Chicago
Poetry Bordello, and founder of Misty
Publications. She also works full time at the Associated
Press and teaches online poetry classes at The Poetry Barn. As if all that wasn’t
enough, she is mother to a rowdy 9-year-old. She has published two chapbooks, House on Fire and Catastrophe Theory. A third
chapbook, Act One, is forthcoming
from Saucepot Publishing. In her free time, she works on the Poetry Tarot. You
can keep up with her progress here.
DS: Why do you write
poetry?
SY: Unfortunately, I only write poetry when I have something
burning to say. My muse has never been sweet but has always been a bitter fire
demon at the edge of a rotting hole inside my being. When the demon gets too
close to the raw edge, when the hole feels threatened, that is when the poems
erupt. I write poetry to keep the hole
from consuming me.
DS: What do you hope
to find in poems written by other people?
SY: My favorite poems are honest and filled with the
gruesome imagery of the human condition. They reveal something about humanity
that we mask in our everyday lives. I’m currently reading Notes for My Body Double
by Paul Guest – WHOA! Now that is THE SHIT I’ve been looking for.
DS: Describe your
works in progress.
SY: This is the year I want to work on the Minor Arcana of
the Poetry Tarot I started in 2011.
I’ve finished the Major Arcana which utilizes images of dead
poets, their handwriting (whenever it has been available in the public domain) and
often an image of their childhood home – or some other important place of
writing. You can view some samples here. These are not haphazard images and ideas
thrown together. I have meditated, worked myself into frenzy, and even dared the
demon to the middle of the hole in order to provide the best representation of
the card and the poet.
The true challenge for me is the Minor Arcana and will
consist of living poets (at least at the time of creation), a sample of their
handwriting and some essence of the poet they are within the imagery of the
card itself. I’m currently seeking volunteers – details on how to query me can
be found at my tumblr page.
Once all the graphic work is completed, the final goal is to
edit a book which interprets the cards and includes a poem from each poet.
DS: What are your
hopes for the future of poetry?
SY: I hope I don’t lose it. I hope it finds me furious, thirsty, and crying. I hope it fights me in the middle of the night. I hope it buries me
alive.
Susan’s Work Online:
YouTube
Susan’s Chapbooks:
Susan’s Chapbooks:
Catastrophe Theory
(Hyacinth Girl Press)
House on Fire
(Blood Pudding Press)
Act One (forthcoming, Saucepot Publishing)
Act One (forthcoming, Saucepot Publishing)
jessica@mail.postmanllc.net
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